Response To High Court Decision

Response To High Court Decision

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Next Stop: The Court of Appeal!

Our date with Lady Justice was bittersweet. Our barrister David Wolfe QC convincingly put forward the case that Camden’s scheme is unlawful. It is too wide, it even criminalises unamplified singing in the streets for fun and spans the entire geographical breadth of Camden turning all public spaces into ‘no go areas’ for ‘unauthorised’ live music when the vast majority of complaints pertain to Camden Town. It interferes with Article 10 Rights (Freedom of Expression) in a manner and to an extent that is in no way justified by any pressing social need. Musical ideas are entitled to protection just as written and political ideas are, and they often intertwine as Pete Seger, Bob Dylan, Phil Ochs, Joan Baez and many others could attest. What does it say about our society when playing music or singing for your pleasure and that of other people is turned into a potential criminal offence subject to draconian police-backed license controls?

Camden’s barrister was reduced to repeating the Orwellian proposition that this scheme was ‘light touch regulation’ and would actually ENCOURAGE and PROMOTE busking. In defiance of modern understandings of physics and physiology, Camden Council’s Licensing Officer stated that the human voice box itself is a form of amplification and therefore needs to be licensed. Their barrister argued that the protections afforded to buskers under Article 10 of the Human Rights Act are engaged at a low level. To argue this he used the case of Miss Behavin’ Ltd vs Belfast City Council, a sex shop that was refused a license. Whilst he made clear he wasn’t suggesting a direct equivalence between selling pornography and singing in the streets, his argument was the article 10 rights of would-be street artists and musicians are engaged at a low level which makes it easier to justify an interference with them.

I’m sorry to say that Mrs Justice Patterson sided with Camden Council:

“… the Defendant has adopted a policy which, in my judgement, is both necessary and a proportionate response to the issue of busking. It has striven to introduce a policy which holds the ring between promoting economic growth through fostering dynamic busking activity across the Borough but balancing that with the requirements of its residents and other economic activity which contributes to the well being of Camden. It has done so in a way which, in my judgement, is lawful.” [Para 122]

Quite how criminal records, £1000 fines, instrument confiscations and fire-sales serve to ‘foster dynamic busking activity’ I leave to your imagination. The mention of ‘promoting economic growth’ I also found confusing as if street music was an impediment to the transnational flow of capital, but Camden Town Unlimited, a Business Improvement District which represents major businesses in Camden welcomed the ruling too.

Rosa Curling, a lawyer in the Human Rights team at Leigh Day, who is representing Keep Streets Live Campaign said:

“We will now seek permission to take this decision to the Court of Appeal. The Council’s draconian licensing policy is unnecessary, unlawful and threatens the very essence of what makes Camden such an important cultural space.”

The generous support of many hundreds of people enabled us to bring this historic High Court Challenge.
We are disappointed that Mrs Justice Patterson has seemingly taken at face value Camden’s argument that people making music on the streets have a low level of protection under Article 10 of the Human Rights Act. This has much wider implications for the way music is valued in contemporary society. We profoundly disagree with her judgment and, despite the £7500 cost award against us, will seek to have this case heard by the Court of Appeal.

Cultural freedom and political freedoms are closely intertwined. Under Camden’s scheme it would be illegal to sing a protest song without a license as part of a static protest. From our perspective this makes the excessive interference with Article 10 rights clear and unambiguous. In a democratic society singing in the street should never be a potentially criminal offence. The Metropolitan Police lobbied hard for this policy and will be closely involved in the process of granting and refusing licenses. That, in itself, is worrying especially in light of recent revelations about the conduct of the Met. The police and local authorities have ample powers already to deal with genuine crime, noise nuisance and disorder. In my view they should use the powers they already have and targeting them at people who are causing genuine harm to others to promote the common good.

 

This campaign has been a real challenge at times, but also a beautiful experience as I have met so many wonderful people who value artistic and cultural freedoms and are willing to stand up for lowly buskers (It was my privilege on Monday to visit the House of Lords for a meeting with Lord Clement-Jones and Viscount Clancarty who are great supporters of the arts alongside senior cultural officers from the Greater London Authority and a pioneering musical advocate and professional jazz drummer, Hamish Birchall). With this in mind we are empowered to constructively and creatively challenge this damaging new law, and have our say about the place of informal performances of art and music in the ongoing civic life of our nation. Camden Council, I’m afraid we are not going to go away!

 

You can support our ongoing fundraising at this link (Which is rather more pressing in the light of the costs awarded against us!), but comments, suggestions and words of encouragement (or criticism!) are also most welcome,

 

http://www.indiegogo.com/projects/keep-streets-live-uk/x/2921332

With love,

Jonny Walker
Founding Director of the Keep Streets Live Campaign
http://keepstreetslive.com
https://www.facebook.com/groups/keepstreetslivecamden

Manifesto Club: Camden Council’s War On Buskers

Manifesto Club: Camden Council’s War On Buskers

Published by Freedom Hotline’s Blog on Manifesto Club.

See the Manifesto Club’s article here.

The Campaign group Keep Streets Live is challenging Camden Council’s draconian new busking law in the High Court.

The new law is extraordinarily severe, anathema to this vibrant and chilled part of London with a lively street music scene.

Not only will buskers have to apply in advance and pay for a licence, there are also strict rules and conditions for busking which will make the activity all but impossible.

The very notion of a licence undermines the nature of busking which is – in the words of Keep Streets Live director Jonny Walker – ‘an informal and impromptu form of entertainment’. Buskers move from place to place, playing in up to 40 different cities in a year, and pitches ‘are often fluid and change with the dynamic of the street and the time of day’.

Camden Council has also set precise rules the kinds of licensed busking which will be permitted. There are rules on where buskers may stand (50m away from each other, and leaving 1.8m clearance on the pavement). The council has pretty much banned amplification, even though this is necessary to make many instruments and singing voices audible over background noise. The council has also limited the use of drums and wind or brass instruments, including flutes and recorders, which are too noisy, apparently; entire sections of the musical repertoire are barred at a stroke.

Council wardens will be granted with draconian powers to crack down on unlicensed strummers and singers. Unlicensed buskers could be fined £1000, and council wardens have powers to confiscate instruments in lieu of this fine. Even licensed buskers can be issued with directions to move on or stop playing by council officers.

The council appears to view busking solely as a nuisance and troublesome activity. Indeed, it claims that busking can cause ‘a risk to safety of people using the street, and that increased opportunities have been created for crime to occur, such as pickpocketing’. So banjos are the cause of pickpocketing.

What this law represents is not a real problem in Camden: there are very few public complaints about buskers in the area. Instead, the busking law represents the growing view in councils that all unregulated social life is problematic, messy and latently criminal. Anything informal and spontaneous – whether busking, leafleting, or impromptu games in the park – is increasingly being subject to formal licences and procedures. Public space starts to become official space: you need a licence before you can act.

Keep Streets Live suggests the use of informal codes of busking etiquette, to deal with the disputes that can sometimes arise between the different users of public space. No busker wants to annoy people – after all, it’s bad for business.

Busking can be good or bad, depending on the busker and your taste, but it is inextricably part of public urban life, part of the vibe of the place. Somebody pitching up with their instrument, picking a tune – it’s one of the few ways now that the experience of public space can be unscripted and unexpected, made by a citizen rather than designed by councils or corporates.

In short, busking is one of the few things people still do in public space; it’s one of the few ways that public space is still public. What happens in Camden is therefore important for the rest of the country.

Keep Streets Live managed to turn around attempts to control busking in York and Liverpool. The organisation is running a funding drive to fund the costs of their High Court challenge to the Camden law. Do throw a penny in their hat.

UPDATE: The High Court has rejected the case, ruling that Camden council’s law is ‘necessary and proportionate’. The campaign is now planning to take to the Court of Appeal.