Fundraising To Save Freedom Of Street Culture

Keep Streets Live has just launched a fundraising campaign via the platform IndyGoGo, with a rather splendid five minute video of what we are about and explaining the terrible situation we are fighting in a legal battle. Check out our campaigning fundraising page now.

This is the crux of what we are pitching…

Who and Why:

My name is Jonny Walker. I am a Liverpool-born singer/songwriter, musician, a full-time street performer and the Founding Director of ASAP (Association of Street Artists and Performers).  I have spent the last twelve years travelling the country as a wandering minstrel, playing music in the towns and cities of the UK and beyond. I have seen the power of informal, street-level performances of art and music to create a sense of colour, vibrancy and urban community at first-hand. I started the Keep Streets Live Campaign to protect and preserve informal community uses of public space, as it is now under threat.

Why We Need Your Help:

Sadly, in recent years, many local authorities across the UK have introduced highly-restrictive policies and laws that criminalise street performance and threaten the future of shared public spaces that are open to the arts and music. On November 11th this year, Labour-led Camden Council voted to bring in one of the most stifling street music laws in modern British history. Under this new law even singing in the streets for fun, if done without a license, is a criminal offence punishable by a fine of up to £1000. Musicians face having their instruments confiscated on the street by the police, or council officials, who will have the power to sell them if the fine is not paid within 28 days.

Why This Matters:

This draconian new law will do great damage to Camden’s cultural and social well-being, it will scare and intimidate musicians away from the streets, and it will set an incredibly damaging precedent for towns and cities across the UK, if it goes unchallenged. It comes as a bitter blow at a time when many traditional venues for live music are closing down. The streets have become a vital and democratic forum for musicians to be heard, whether they are just starting out, gaining experience or actually making a living.

The Bigger Picture:

At the very time when our high streets need a helping hand to stay vital in the face of rapid social and economic changes which have seen record number of businesses close their doors forever, policies are being implemented that damage the communal lives of our towns and cities. Free street art and live music is one great way of keeping our high streets alive. It’s more important than ever before that local authorities channel their limited resources to support and sustain creative and grassroots communities in our urban centres, instead of heavy handed and misguided clampdowns. By supporting this landmark campaign you will be helping to protect the cultural freedoms of our towns and cities and giving us the resources to work alongside local authorities in the future.

What We Are Doing About This:

I started a petition, so far signed by over 6000 people, asking Camden Council to rethink their damaging plans. Our campaign arranged protest events which were supported by comedians Bill Bailey and Mark Thomas, and the musicians Billy Bragg and Jon Gomm amongst many others. We even set up the Citizen’s Kazoo Orchestra as a light-hearted rebellion against the irrational banning of wind instruments. I made presentations to the Cabinet, Licensing Committee and full Council. The Musician’s Union released a statement nationally asking Camden Council to preserve their musical heritage and to abandon their contentious policy. Despite this chorus of constructive opposition the Council passed this policy into law in a narrow vote in November. Our options were running out so we contacted a leading Human Rights law firm Leigh Day who told us that this new law was so unfair and over the top that we had a good chance of challenging it in the High Courts. The Human Rights Act protects freedom of expression and this applies to performances of music as well as to speech and the written word. We now had the basis for a historic legal challenge.

We have set up a not-for-profit organisation the Keep Streets Live Campaign andlaunched formal legal proceedings against Camden Council, asking a High Court judge to strike down this legislation and to send a powerful message to other local authorities: protect and nurture grassroots culture, don’t stamp it out!

Why Help?

I am a working musician with a young family. Running a campaign takes up a huge amount of time and I can’t do this alone. Camden Council have an in-house legal team and a budget of millions of pounds, whilst we are a very small and committed team of musicians and campaigners. We urgently need to raise funds. Our solicitors, Leigh Day believe in our case and are working on a conditional fee arrangement. In addition, we’ve applied for a Protective Costs Order asking our liability to be capped at £5,000. You can see my witness statement applying for this order at this link. However, if this is not granted and we don’t have the necessary funds, we would have to abandon this legal challenge and allow a huge injustice to stand uncorrected. We think this is too important an issue to walk away from.

How You Can Help:

We are seeking to raise £25,000 to cover potential legal costs and the costs of running this campaign over several months, in order to demonstrate to Camden Council that we can take this all the way. Any amount of money we raise up to and beyond that amount will demonstrate to the Judge hearing our case, and to Camden Council that we have the resources needed to see this challenge through.

People from across Great Britain have already volunteered their time and gifts so we can offer you fantastic perks for supporting us: from virtual cuddles, kazoos signed by celebrities, Skype concerts, Busking Masterclasses, House Concerts and campaign nights we have a range of exciting perks to offer you in exchange for donations towards our campaign as we seek to Keep Streets Live.

How Your Money Will Be Used:

In the event of a win in the courts where we are not liable for legal fees, or a situation where we are unable to continue with the legal challenge because we haven’t raised enough, all the money raised will be used to develop the newly founded not-for-profit organisation, the Keep Streets Live Campaign, with a specific mission to protect community and grassroots uses of shared public spaces nationally by working alongside other bodies and providing training and support programs. You can see the articles and mission of this organisation by following this link. This money would be vital in realising our vision for an advocacy body for grassroots street culture. We want to train street performers in first aid, create support networks between performers and the homeless, and design creative and fair policies for street performance that local authorities can implement quickly and at low cost. We want to be part of creating a national culture of collaboration and mutuality between local authorities and the grassroots which would make heavy handed laws like Camden’s a relic of the past. We want to turn the difficult situation we now face into an opportunity to make a positive change on the streets of the UK.

And, It Works!

Last year in Liverpool, a city synonymous with live music, I helped lead a campaign against a license scheme similar to Camden’s which threatened street musicians with trespass prosecutions, banned under 18s from playing music and placed severe restrictions on the life of the streets. Our campaign was successful and the new law was overturned. We are now working with Liverpool Council and the Musician’s Union to draw together a fair and open ‘best practise guide’ for street performing that balances the needs of all the users who share public spaces. Thank you to everyone who supported this campaign.

In York we set up a petition calling on the Council to scrap a highly restrictive license scheme and to make the streets more open. Again, as a direct result of our campaign, York’s civic leaders made significant changes to their policy and invited musicians, street performers and other bodies to be part of an ongoing dialogue.

Join In:

We are a growing community of artists, performers, musicians and people who value public spaces that are open to the arts. Even if you are unable to contribute financially at this time, we would still love for you to get involved. From handing out leaflets, gathering signatures, playing the kazoo at protests, performing pop-up gigs and helping us send out perks, there are lots of ways in which you can get stuck in and we are very open to suggestions. Join the Association of Street Artists and Performers for free here: http://streetslive.org/join

In a nutshell…

This is a landmark legal challenge which will set a precedent for the use of public space in the United Kingdom. Join with us as we seek to protect and preserve the ancient freedoms of the street and find creative ways to build urban community and to Keep Streets Live!

Join our Facebook Group and follow our page

https://www.facebook.com/groups/keepstreetslivecamden

https://www.facebook.com/KeepStreetsLive

http://keepstreetslive.com

Amanda Palmer Supports Camden Busking Petition

By Philippa Morgan Walker

Former street performer turned Dresden Dolls frontwoman and now solo artist, Amanda Palmer has shown her support for our barely-24-hours-old campaign via Twitter. To a million followers, she retweeted ASAP! Founding Director, Jonny Walker’s tweet calling for people to sign the new petition. The petition aims to collect signatures to support the KeepStreetsLive and ASAP! campaign against a draconian busking policy that Camden Council are threatening to rubber stamp.

Amanda responded to Mr Walker’s campaign directly:

“We are us RT @JonnyWMusic thank you for standing up for those of us who are still making a living on the streets. You are an inspiration…”

Mr Walker replied:

“@Amandapalmer when you are next in London we’d love you to participate in a mass, kazoo-led street protest against Camden’s new laws…”

Amanda is a key inspiration for the leading members of ASAP!, as a fellow agent in lending credibility to street performance and its many positive effects on the atmosphere of a neighbourhood. No-one quite sums up kick-ass artist extraordinaire, Amanda like TED Talks, who invited her to lead one of its famous conferences:

“The singer-songwriter-blogger-provocateur, known for pushing boundaries in both her art and her lifestyle, made international headlines this year when she raised nearly $1.2 million via Kickstarter (she’d asked for $100k) from nearly 25,000 fans who pre-ordered her new album, Theatre Is Evil.”

There’s something wonderful about artists and like-minded people uniting and saying ‘hang on a minute’ to the powers that be. Blocking culture from taking place on the streets is a dangerous sign of things to come, unless we take notice NOW, and engage with the policy making process, our high streets risk becoming clone-like and dull at best and lifeless corporate shells at worst. Let’s clear up a popular point of tension; if a busker is causing a genuine threat or nuisance on the streets then there are many existing laws to tackle such issues: like the Public Order Act, Environmental Protection Act and Highways Act, to name but a few. Ring-fencing a public space with an empire of law and ‘order’ is a direct assault on grassroots culture, artistic freedoms and a basic human right to ‘get up, ‘stand up’ (to borrow from Bob Marley).

The Camden Keep Streets Live campaign is going to be one tough battle and we’ll need to draw upon a lot of support. The streets belong to everybody and, yes, that includes human statues called ‘The Eight-Foot Bride’, clarinet players, penny whistlers and beat-box groups – not just powerful brand names or the usual retailers we see up and down the country. Cleaning up the streets should refer to bin collection etc, rather than the forced removal of musicians and artists from promising paving stones. Camden Council are gathering suits and clipboards, so we need to assemble a more colourful crowd…

Why the campaign to Keep Streets Live in York really matters….

Why the campaign to Keep Streets Live in York really matters….

It is just over two weeks since my busking badge was ‘suspended’ by York City Council because of my refusal to pay the punitive rate of £40 per day they want from buskers who display their CDs. I had made mine available for a suggested and voluntary contribution instead and had brought upon myself the wrath of six public officials in the process. The heavy-handed treatment I received and the suspension of my buskers badge, without any kind of due process or right of appeal, convinced me that the way busking is governed in York has broken down beyond repair and needs to be replaced. I helped set up ASAP! (Association of Street Artists and Performers) last year to campaign for policies that help foster grassroots art and culture in public spaces, and to constructively oppose schemes that stifle it. We successfully campaigned against a damaging policy in Liverpool and won. It was clear we were now needed in York.

Our call to end York’s current busking rules is grounded in simple and clear values. We believe that public spaces should be places of spontaneity and diversity which allow for serendipitous experiences. We believe that in these fractured and uncertain times, policies that allow a sense of urban community to flourish are particularly important. Busking is a cost-free addition to the grassroots artistic and cultural life of the city. York City Council’s busking permit scheme, however well-intentioned it might have once been, is stifling street culture when it should be supporting and nurturing it. In addition, the Council seems to have granted themselves special powers, above and beyond the law of the land, to control which activities are allowed in the shared spaces of the city. They also appear to expect the police to act as their enforcement arm. This is the mis-use of scarce public resources at a time of austerity and needs to stop.

So what are we asking for?

1.) We want York City Council to scrap their restrictive busking policy and to replace it with a fairer and more open scheme that supports a vibrant and diverse street culture.

2.) Street performers, artists, musicians and professional bodies like the Musician’s Union should be involved in drawing up the new policy. Firstly, because it directly affects them, and secondly, because their input will be valuable in drawing up a policy with an impact on the cultural and social life of the city. Any subsequent changes to the scheme should involve consultation between all parties.

3.) The new busking scheme should be open and easy to access. Buskers should not have to fill out forms in advance and wait for an audition before taking to the streets (Though the council may wish to collect information about performers for their own records once they have busked in the city). At present people sometimes have to wait for months for an audition and are often told that there are no badges available. The council clearly lacks the resources to administer and enforce their current policy properly. This acts as a barrier to spontaneity and also discriminates against acts that are visiting the area for a short period of time and only perform occasionally.

4.) The scheme should be based upon cooperation between all the shared users of the public spaces of the city, and should aim to create a sense of urban community and belonging. People who wish to complain about a busker should be encouraged to talk directly to the performer in a polite manner rather then calling the council or the police in the first instance. In their turn, buskers should be considerate and cooperative in their use of shared space and responsive to the reasonable requests of public officials.

5.) Issues that arise from street performing should be dealt with fairly and transparently. The council should not grant themselves additional powers above the law of the land when dealing with buskers, such as restricting access to public space and removing busker’s badges without right of appeal or due process. Street performers provide a valuable addition to the urban landscape and deserve to be treated with respect. Buskers whose behaviour is unreasonable and inconsiderate will likely already be in breach of existing legislation such as the Public Order Act, the Environmental Health Act and the Highways Act. With the correct and proper application of existing law, there is no need for additional legislation.

6.) Musicians should be allowed to make CDs containing recordings of their own work available for voluntary contributions for no charge. If musicians wish to sell CDs the charge for a street trading consent should be reduced from it’s current excessive level of £40 per day to a fairer and more proportionate amount no greater than £10 per day. This will enable musicians to share their work with a wider audience at a time when traditional music venues are closing, and provide a vital civic and cultural outlet, both for performers and their audience.

There is nothing in these requests that it unreasonable or unworkable. A new busking policy could be worked out in the space of a few weeks at little to no cost to the local authority. York City Council have a unique opportunity to create a policy that sends an unmistakable signal to the world that they support their street artists, performers and musicians. By working together in a creative and collaborative way, we can offset some of the damaging economic trends that threaten the future of our high streets and our public spaces. A vibrant grassroots cultural scene is vital to the life of the City, and it starts on the streets. Work with us not against us York City Council, and Keep Streets Live!